We also explore an alternative method of achieving a similar result using the MoSpline Object, combined with a Jiggle Deformer. With one set-up working, we use the Mirror Tool to transfer a copy of our rig to the opposite antenna. This creates a natural wobble and feeling of inertia which is useful for many things, such as a cartoon dog’s tail, a flag pole blowing in the wind or an aerial bending with the motion of the vehicle. In this tutorial we build a simple chain of joints which we bind to the mesh using a Skin Deformer, then we set up a Dynamic IK chain so that the joints animate automatically based on the parent movement. Joints are one of the principle methods of building rigs due to their hierarchical nature and precise control.

Rigging a robot’s antennae using a combination of Joint Objects with Skin Deformers. This course will teach you many real world and production proven techniques to ensure your projects and workflow are both powerful, robust and efficient.

This training covers many techniques which are essential parts of the rigging process, including working with deformers, manipulating object hierarchy, morphing geometry and objects, exploration of the constraint tag and building your own set-ups with Xpresso, Cinema 4D’s node based expression language.įinding the perfect balance of these processes and bringing them together into coherent and manageable set-ups is the key to successful rigging and animation.

Tim then takes you on a journey through the various methods available for rigging and controlling your animation set-ups. Cinema 4D Rigging In One Day a feature packed series aimed to get you up and running with rigging in Cinema 4D.ĭive straight in with a quick-start on the core principles of rigging as a refresher and foundation for the remainder of the course.

C4d character rigging